#MentorTextMoment, Books

#MentorTextMoment: Bloom: A Story of Fashion Designer Elsa Schiaparelli

As part of my writing process, I read dozens of books by other nonfiction authors. When I read, I make notes about the craft choices authors make in terms of voice, structure, POV, and other unique elements that add up to amazing books. I recently decided to share my notes (in a searchable format), so teachers and fellow writers can see what I find new and noteworthy. Please feel free to share your thoughts in the comments below.




Author: Kyo Maclear

Illustrator: Julie Morstad

Publication Info.: HarperCollins, Feb. 6, 2018

Ages/Grades: preschool through 3rd grade (ages 4 and up)

Categories: first-person POV, narrative nonfiction, biography

First lines:

“Every story starts somewhere.

My story begins on September 10, 1890, in a beautiful palazzo in the center of Roma.”

Overview (from the publisher):

“Elsa dared to be different, and her story will not only dazzle, it will inspire the artist and fashionista in everyone who reads it.

By the 1930s Elsa Schiaparelli had captivated the fashion world in Paris, but before that, she was a little girl in Rome who didn’t feel pretty at all. Bloom: A Story of Fashion Designer Elsa Schiaparelli is the enchanting story for young readers of how a young girl used her imagination and emerged from plain to extraordinary.”

What’s noteworthy for authors and educators:

What makes something beautiful? For designer Elsa Schiaparelli anything could be beautiful, including a dress made of wool, cellophane, tree bark, and velvet. Or a shoe as a hat. This book could launch a wonderful conversation about what makes something beautiful and how we might broaden that definition. In addition, Schiaparelli takes an inventive approach to her designs, embracing failure much like so many inventors of machines and technologies. This could spark a discussion about the role of trial and error and experimentation in the creation of art.

Authors will note that this book is written in a more experimental point of view — first person. This allows for more introspection than usual in a picture book biography. Kyo Maclear writing as Schiaparelli helps us experience more fully the internal transformation Schiaparelli undergoes as she gains confidence in her designing skills.

Additional resources for authors, educators, and parents:

  • The Philadelphia Museum of Art created an educator’s guide for its 2003 exhibit about Schiaparelli. The discussion guide is fabulous (grades 5 through 12).
  • For younger students, try a mixed media project using recyclables or cast-off objects, turning old things into something beautiful.
#MentorTextMoment, Books

#MentorTextMoment: The Important Thing About Margaret Wise Brown

As part of my writing process, I read dozens of books by other nonfiction authors. When I read, I make notes about the craft choices authors make in terms of voice, structure, POV, and other unique elements that add up to amazing books. I recently decided to share my notes (in a searchable format), so teachers and fellow writers can see what I find new and noteworthy. Please feel free to share your thoughts in the comments below.


The Book:


Author/Illustrator: Mac Barnett, illustrations by Sarah Jacoby

Publication Info.: Balzar & Bray, 2019

Ages/Grades: ages 4 to 8

Category: biography, first-person POV, metafiction

First lines:

Margaret Wise Brown lived for 42 years.

This book is 42 pages long.

You can’t fit somebody’s life into 42 pages,

so I am just going to tell you some important things.

Overview (from the publisher):

An exceptional picture book biography of Margaret Wise Brown, the legendary author of Goodnight MoonThe Runaway Bunny, and other beloved children’s classics, that’s as groundbreaking as the icon herself was—from award-winning, bestselling author Mac Barnett and acclaimed illustrator Sarah Jacoby.

What is important about Margaret Wise Brown?

In forty-two inspired pages, this biography artfully plays with form and language to vividly bring to life one of the greatest children’s book creators who ever lived: Margaret Wise Brown.

Illustrated with sumptuous art by rising star Sarah Jacoby, this is essential reading for book lovers of every age.”

What’s noteworthy for authors and educators:

Most picture book biographies use a narrative structure. There’s some sort of problem or goal introduced at the beginning. The main character attempts multiple times to solve the problem or achieve their goal. Typically the main character changes internally as part of the process (or society changes to accommodate the main character). And they achieve the goal or solve the problem at THE END.

So here’s the important thing about this book: it’s the first biography I’ve seen that employs a non-narrative structure, much like Margaret Wise Brown’s THE IMPORTANT BOOK, which Barnett mimics. Instead of starting with Margaret’s childhood and exploring her attempts to break into children’s publishing, Barnett riffs on the idea of what’s important about a person’s life. He also explores the idea of strangeness. Barnett’s non-narrative format is strange, but so were elements of Margaret’s life (as a girl she skinned her dead pet rabbit and wore the pelt!). And Margaret’s stories were often viewed as strange by snooty librarians who rejected them. But Barnett concludes that sometimes life is strange, so strange stories can feel true and important. And that’s what Margaret Wise Brown was all about.

Also notable is Barnett’s first-person narration and use of metafiction. He is clearly the narrator of the story, asking questions and injecting his opinions. His storytelling reminds me A LOT of his earlier metafiction, HOW THIS BOOK WAS MADE, in which he narrates the book-making process. A metafiction biography? Sure, why not?

I know this biography has generated a lot of discussion with some disputing whether it’s a biography at all. I’d love to hear your thoughts in the comments.

Additional resources for authors and educators:

  • Go behind the scenes to learn about the making of THE IMPORTANT THING at this blog.
  • Discuss with your students: should some books be banned from the library, as Margaret Wise Brown’s were? Many favorites from Harry Potter to Captain Underpants often show up on banned books lists.
  • Writing activity: What is the important thing about YOUR life? How would you write your life in the style of this book (and THE IMPORTANT BOOK)?
#MentorTextMoment, Books

#MentorTextMoment: JUST RIGHT


The Book:


Author/Illustrator: Curtis Manley, illustrations by Jessica Lanan

Publication Info.: Roaring Brook Press, 2019

Ages/Grades: ages 5-9

Category: expository nonfiction, descriptive text structure, first-person POV

Overview (from the publisher):

“Do you wonder 
if humans
are the only beings who wonder
if they are alone 
in the universe?

Our sun is a star.
In the night sky are all kinds of stars,
and orbiting those stars
are planets like the ones in our own solar system.

Could those planets have life
like we do on Earth?

Planet Earth is not too big,
not too small, not too hot,
and not too cold. It’s just right.
Our very own Goldilocks planet . . . .

Follow a young girl
as she explores these questions
in this gorgeous book about the wondrous search
for another Goldilocks planet.

What’s noteworthy for authors and educators:

Do you know how difficult it is to explain the techniques we use to search for exoplanets? Curtis Manley’s use of analogy makes JUST RIGHT accessible for young readers, as he talks about planets “winking” and “waving” and what that means to planet hunters. Takeaway: When trying to describe difficult concepts, why not try analogy?

#MentorTextMoment, Books

#MentorTextMoment: Birds of a Feather


The Book:


Author/Illustrator: Susan L. Roth

Publication Info.: Neal Porter Books/Holiday House, 2019

Category: Nonfiction, compare/contrast

What’s noteworthy for authors and educators:

Written in first person POV, this compare/contrast nonfiction picture book features the author/illustrator, Susan Roth as the narrator. In each spread, she compares the work of a collage artist with that of a bowerbird, a species from Australia/New Guinea that builds bowers to attract mates. She discusses their purpose for creating, tools, and much more. This book would make a great read aloud and the perfect jumping off point for classroom collage art.

Additional Resources:

Learn more about Susan’s process on her website.